matt8000
Like all good parfaits, every good song has layers.
The violin is infinitely more versatile than I ever imagined - and I’m here for it.
Favorite track: bare 2.0.
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December is here! And here is the final #xanimakes track for the year. I hope you've been enjoying these subscriber-exclusive offerings and I look forward to getting you rfeedback.
This month I went back to my roots. I had the great honour of being nominated as a finalist for "Best Instrumentalist" at the 2022 Australian Folk Music Awards. I didn't take home the award, but it did get me reminiscing about my earliest violin-learning memories.
My mum encouraged me to think outside of the box when it came to learning my instrument. I was only 6 years old, but Mum introduced me to all different styles of violin playing as we went on this totally new journey together. Mum is a visual artist, not a musician, sop we were learning the ropes as we went along.
My first and greatest influence was Irish violinist Martin Hayes. I saw him play live with guitarist Dennis Cahill at the Geelong Celtic Festival when I was very young. It had a profound impact on my playing and lead to me getting lesson in Irish, Scottish and Celtic music.
So this month I am sharing the second in a series of stripping things back. This was is a hark back to my first improvisations with a loop station.
Hope you enjoy,
credits
released December 5, 2022
Recorded, mixed, performed and mastered by Xani Kolac.
Image by Oli Sansom.
Cover art by Xani Kolac.
Heartfelt without being cloying and playful while delving below the surface, the lo-fi indie of Metagirl embraces chaos and contradiction. Bandcamp New & Notable Feb 7, 2023